We complete our four-part series on Depression glass used in table settings, and the table setting contest winners from the recent Great Lakes Depression Glass Club show.
Fourth prize went to Dorothy Alden, for her a table setting using pieces in the Candlelight pattern and 3400 Blank, by Cambridge. Her table setting was also displayed as part of the education exhibit.
The Candlelight pattern by Cambridge Glass features a cameo-like candle motif, along with detailed floral sprays, in clear glass. The 3400 blank has gently scalloped edges. In this table setting, the plain charger plate is in cobalt blue . . . → Read More: Cambridge Candlelight and Cobalt Blank 3400 – Classic Shape and Style
In the third part of our series about the winning table settings created members of the Great Lakes Depression Glass Club, we move on to a setting that combines elegant glass and china.
Mary Dunmire’s table setting took third prize, and featured her mother’s Fostoria crystal in the Chintz pattern.
Her table setting beautifully combined with china in the Rosebud Chintz pattern by Spode, made to go with the glassware.
Chintz was another beautiful glassware pattern by Fostoria, produced from about 1940 to 1973.
Spode produced this china pattern from the 1950s to about 1971.
Chintz pattersn, in both . . . → Read More: Fostoria Chintz and Spode Rosebud Chintz – Mix Glass and China
Our four-part series on the table setting contest winners from the recent Great Lakes Depression Glass Club show continues.
Second prize went to a table setting using the Orchid pattern by club member Margie Laski, who loves orchids and is president of the Michigan Orchid Society. Her table setting was displayed as part of the club’s educational exhibit at the show.
The Orchid pattern by Heisey features a detailed, etched floral motif with a prominent orchid.
A. H. Heisey & Co. was a glass maker located in Newark, Ohio for many years. Most of the pieces are marked with . . . → Read More: Heisey Orchid – A Flower Lover’s Favorite Glass
As part of the recent Great Lakes Depression Glass Club show, the members organized a table setting contest. The work of the four winners was on display as part of the club’s educational display at the show.
First prize went to an engagement party table setting using the American pattern by club member Joan Larson.
American was a very popular pattern made by Fostoria from about 1915 to the mid-1980s. Most of the pieces were made in crystal clear glass, but also sometimes in colors. The fact that this pattern was made for so long attests to its popularity.
. . . → Read More: Fostoria American – Depression Glass Winner
The Depression glass pattern called Pyramid was produced by Indiana Glass in Dunkirk, Ind. From 1926 to 1932, in various colors, including green. Most are serving pieces, such as this creamer and sugar on a carrying stand.
I bought this set around 1980 at the Shipshewana flea market as a gift for my mother. She was collecting Depression glass at that time. (Those were the days, more like a giant garage sale with lots of people clearing out from homes and barns, and selling out of the backs of cars and pick-up trucks.)
In a wave of recent downsizing, . . . → Read More: Depression Glass – Pyramid Pattern Offers Sleek Style
This past weekend, the local Depression glass society had its spring show. Always a treat to see this beautiful glass, and the society members make it enjoyable. They run a table where you can get help with identifying your own glass (included in the cost of admission).
They identified ruffled blue berry bowl in the “Fancy” or “Diamond Arches” pattern by Hazel Atlas for me.
I’m old enough to remember Depression glass from my grandmother’s and great aunt’s collections. Charming patterns like Cameo or Sharon in pink, Parrot in green, or blue Aunt Polly.
I remember going . . . → Read More: Depression Glass, Classic Style